Genre: Horror, Vampires
Narrative Style: Third person chronological
Synopsis: Oskar a loner, bullied at school and friendless, is over the moon when he meets Eli, the girl who moves into his apartment block. She seems a little strange but then so is Oskar. However, all is not as it seems and with Eli’s arrival comes a series of strange deaths and uncanny events. Oskar knows she has a secret but could not have imagined the full extent of her story.
Reading challenges: TBR challenge
Time of Shelf: I bought this not long after I watched the film which I really enjoyed. But then I was worried it wouldn’t live up to the film (whenever I read a book of a film, I seem to like it less than the film) so I started to avoid reading it.
I was a bit nervous starting to read this. Not because I thought I might be scared – I rather hoped I would be – but because I had loved the film so much. (The Swedish original not the American remake.) I had high expectations. What if the book couldn’t live up to them? Well, I needed have worried. This book is amazing in its own right and while I enjoyed it more than the film, the film didn’t lose anything as a result. I could still watch it.
It is almost difficult to know where to start. As with all good horror, this is more than a story about vampires. It’s about good and evil and the very basis of what it means to be human. Eli – or Elias as it is later revealed – has to kill in order to survive ( if survive is really the right word) but is less monstrous than the man who helps her by killing young boys and bleeding them. He is eventually caught out by his own desire for young flesh and when he becomes un-dead, it is this perversion that drives him to almost destroy Eli in one of the most disturbing encounters in the novel. As a vampire, he represents all of society’s great fears about the potential danger of the paedophile.
By contrast, Eli and Oskar’s relationship is almost innocent. They are both on the cusp of adolescence and their relationship slides between childish and adult. Oskar is more disturbed to discover that Eli is actually a boy (although one that has been castrated) than to discover he is a vampire. She gives him the confidence to stand up to the bullies at school and he gives her a much needed friend. They are both outsiders – the details of their difference are less important than the fact of it.
Where this novel really succeeds is the sense of place that the reader is given. Like in the best of Stephen King’s work, Lindqvist shows the reader the smallness of his characters’ lives. The small town is suffocating, killing its inhabitants as surely as if it was the monster. And for the ones that are left alive at the end, there is no escape. Only back to the grey, dead landscape of their everyday life.
Having said that, the end of this story is not depressing and you can’t help feeling hopeful for Oskar and Eli. They are the ones that get away and even though one of them is hundred of years old and lives of the blood of others, you hope that they will be happy.