Books Read in 2014 – 60. High-Rise – J. G. Ballard

Genre: Dystopia, anti-heroes

Narrative Style: Third person three different perspectivesUnknown

Rating: 3/5

Published: 1975

Format: Kindle

Synopsis: Robert Laing quickly spots the careful class demarcations when he moves into the high-rise. Whilst ostensibly for the rich, it quickly becomes apparent that some are not as rich as others. These demarcations follow the floors with the lowest on floors one to ten and so on. When the electric start to fail, panic and violence quickly ensue. Before long, everyone has returned to a savage state and society has completely broken down. 

This has what is perhaps my favourite opening line ever – “Later, as he sat on his balcony eating the dog, Dr. Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.” This raised my expectations quite highly. The plot then moves through those three months. Unfortunately they don’t quite live up to this powerful opening line.

The story is told from the perspective of three men – one from the lowest ranks, Wilder; one from the middle, Laing; and one from the top, Royal who is one of the architects of the high-rise. Before civilisation starts to break down, there are already petty jealousies and rivalries about who can use which swimming pool and which lift. This seemed realistic enough and it was easy to see how such grudges might escalate into something bigger.

However, I wasn’t convinced by the triggers for the escalation. Very quickly, it seemed, people were no longer leaving the high-rise and hunting in packs for people from the other floors. Once that had happened, there were very few places for the narrative to go. Nothing else really happened and it felt like events levelled out. They didn’t really get any worse and there was clearly no way for them to get better.

That wasn’t the only problem. I couldn’t really decide what point Ballard was trying to make. I suppose that the high-rise was meant to represent a microcosm of society with the three levels representing upper, middle and working class but because these were all from the same class, the point didn’t quite work. At the end. only Laing is left eating his barbecued dog suggesting perhaps that the middle classes are the ones that will survive and then because they wait it out passively. I’m not sure what sort of moral lesson that is supposed to be.

This is as much about masculinity as it is about class and the three men show different ways of being male. Wilder, as his name might suggest, is very much ruled by his sexuality, Laing is more refined, preferring to wait and see what happens and finally Royal is a leader, at least for a while, by virtue of his money and his penthouse apartment. This also relates to stereotypical versions of masculinity and class e.g. the beastlike working class male. The women in this novel are underdeveloped, there to largely be raped or rescued depending on the man in question. That also was disappointing.

Ultimately this was an interesting idea which was well-written but just didn’t quite work for me. This is the second Ballard I’ve read lately that has left me a little cold but I’m sure I will be tempted again as the initial ideas just sound so interesting. They have made a film of this, to be released next year and it maybe that it will work a little better as a film. I’d certainly be keen to see what they do with the material.

Books Read in 2014 – 28. Running Wild – J. G. Ballard (Contains spoilers)

Genre: Crime

Narrative Style: First Person reports on Pangbourne Massacredownload (7)

Rating 3/5

Format: Hardback

Published 1988
Synopsis: All the adults at expensive gated community Pangbourne are dead and all the children have disappeared. Richard Grenville is the psychologist called into investigate. The novella begins two months after the massacre. 

After two months, when no terrorist groups have laid claim to the Pangbourne Massacre, the home office calls in Dr. Richard Grenville and asks him to investigate. He takes the reader through the crimes and the theories surrounding them in a clinical and professional way so that it is possible to be both detached and disturbed by them.

When one of the children reappears, in a catatonic state, Grenville realises who the culprits are. She is clearly disturbed by what has happened and reporters assume this is due to the treatment of her kidnappers. However, Grenville realises that it is because she is one of the murderers herself. He then revisits the scene of the crime and works out the exact events.

To be honest, it was fairly apparent straightaway that the children were to blame. There lives were filled with love and approval but were also stifling. They had no freedom – except as Grenville points out – the freedom to escape into madness. For me, the obviousness of this, meant that the novel lacked suspense.

That said, the issues raised by the novel are certainly interesting. One of the reasons that the public never believe in the theory that the children are to blame is that on the surface, their lives are perfect. They want for nothing. Who wouldn’t want the constant affection of one’s parents, never arguing and having nothing to rebel against. But teenagers need to rebel, regardless of whether there is anything real to rebel against.

The crimes at Pangbourne are fascinating, not just to the public and press in the novella but to the reader as well. They hit at what we all want to avoid thinking about. Children are brutal, to each other and to their parents. They have a savagery that we like to believe we can civilize. This is those in authority persist in viewing the massacre as an act of terroris, even though that is patently absurd.

This is well written and the ideas are good but I did feel that it became a bit pointless as it went on because of the obviousness of the culprits. The ending – when the teenagers attack a former prime minister – felt a bit forced. Although it could be taken as an interesting metaphor for the way that youth and the next generation remove what has gone before.