Pratchett Reread 11 – Witches Abroad

This is possibly my favourite of the witches books. It is a joy to read and never puts a foot wrong. It is laugh out loud funny but also has a strong moral message to get across. It also makes clever use of fairy tales and the idea that stories have a life of their own. I couldn’t put it down even though I have read it before – more than once.

It begins with the death of a fairy godmother. I guess we all have an image of a fairy godmother – good, kind and grandmotherly – Disney, I’m looking at you. In Pratchett’s world, everyone had two fairy godmothers. One good and one bad. When Desiderata Hollow dies, she leaves her godmother’s wand to Magrat with strict instructions about visiting Genua and to definitely not allowing Naggy Ogg and Granny Weatherwax to accompany her – which of course results in their immediate attendance on the trip.

There is much hilarity on their journey what with Granny’s reluctant broomstick, Nanny’s attempts at speaking ‘foreign’ and Magrat’s journey of self discovery. Not to mention the adventures of Greebo (Nanny’s cat) which involve killing a vampire bat and taking on the bulls at a running of the bulls type event. As they get closer to Genua, they start to see odd things. Dwarves singing mining songs, a talking wolf and a girl in a red cape on the way to her grandmother’s house and a house that falls on Nanny (but thankfully doesn’t kill her due to her reinforced hat).

The other fairy godmother – the bad one (although she believes herself to be good) – is Lady Lilith de Tempscire. She is trying to make Emberella, a servant girl, marry the Duc. Desiderata has promised Emberella that this will not happen and it is Magrat’s job to ensure this although she cannot master using the wand and can only make it produce pumpkins. Lilith, it transpires is keen on stories and making reality fit them. She is also very good at magic that makes animals think they are humans so the Duc is literally a frog made human and waiting for the kiss to seal the deal. Granny Weatherwax recognises her straightaway and we quickly realise that we are in for a fearsome battle between two formidable magic users.

As always with Pratchett, this is not merely a comedy nor is it just a tale about good and evil. The themes are fairly typical of Pratchett – the use of power, the nature of what being good means and just because something is different doesn’t mean it is wrong. As well as this, the idea of knowing yourself is very important. This is dealt with in an amusing way in Magrat’s search for some sort of self in the Discworld equivalent of Asian philosophy but also given a more serious aspect in the final battle between Granny Weatherwax and Lilith where they are in a hall of mirrors and they can only escape if they are able to spot their true self. Granny, unsurprisingly, has no problem with this. Lilith, on the other hand, has made so many versions of herself, in order to keep power and control, she is unable to do it.

Overall, this is a great read. It’s funny, it’s clever and it makes you think. I don’t know what else you could ask for in a book.

Eclectic Reader Challenge 2016: The Night Circus – Erin Morgenstern

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Genre: Paranormal Romance, Magic Realism

Narrative Style: Third person from a variety of view points. Non-chronological

Rating: 5/5

Published: 2011Unknown-1

Format: Kindle

Reading Challenges: Eclectic Reader Challenge 2016 – Genre paranormal romance

Synopsis: Celia is trained by her father to take part in a mysterious magical competition. She is bound by the scar on her finger. She has no idea what the rules are or who her opponent will be. Marco is rescued from an orphanage by a strange man who trains him in the art of magic. He too has a scar. 

The Cirque de Reves appears in towns with no warning. It is the most amazing thing that people have ever seen. They go back night after night as there is always more to explore. Then the circus disappears just as suddenly. Could this be the playing field for two extraordinary young illusionists?

I was dreading this genre, conjuring up as it did images of vampires and ridiculously twee films. I’m not really a romance fan and the addition of some supernatural creature didn’t make it any more appealing. When I started to read The Night Circus, I didn’t realise that it would fit but it soon became apparent that this was a romance.

From the start, there is a magical atmosphere. Celia’s father is an entertainer, a magician who has to make his illusions less good so that the public think it is not real. His training of Celia is ruthless. He is determined to win the game and Celia is his pawn. Marco is trained in a different way but his trainer – the mysterious man in grey – is equally determined. The stage is set straightaway for a magical battle.

Admittedly, the pace is slow but I liked that. There was so much illusion, so much beautiful description that it would have been a shame to miss out on it. The circus is almost like another character in the book as it quickly takes on a life of its own. We learn of the different personalities and are given hints of future events. The act of reading this book was not unlike a visit to the circus. You want to take it slow so you can take in every detail.

The romance is equally slow burning. It takes a while for Marco and Celia to realise they are adversaries and then when they do, they are frightened by the intensity of feeling when they are together. Finally, they discover that the only way to end the game is for one of them to die. They realise they have to find a way to escape.

I did find the changing chronological sections a little confusing. I spent a lot of time looking back at chapters to see when they were set. However, I think that it worked. The importance of the character of Bailey becomes apparent and I realised why Morgenstern had structured it the way she had.

This was one of those books that I didn’t want to finish. It was so beautiful, I felt really sad leaving it behind. Still, it is good to think of the circus carrying on, appearing suddenly to charm people before disappearing into mystery again.