The joy of the I-Pod on Shuffle.

It’s funny but when I first got the I-Pod, I didn’t realise that it would change the way that I listen to music. I don’t just mean that I started to download more. While this is true, I think it would have happened anyway. Also, there is no reason not to listen to downloads in an old-fashioned, album by album, track by track sort of way. But I find, more and more, I listen to it on shuffle. it saves me having to decide and if I’m cooking which is when I usually listen to it, then I don’t have to stop to stick another CD on.

It is one thing to be in the mood for something and listen to it but another completely to have a great song appear unexpectedly. For example, last night I was listening and Come Back by The Mighty Wah came on. There are a number of reasons why it is always great to hear this song. For a start, it has a great thumping anthemic chorus which you can chant along to. This immediately removes any residual stress. There is nothing like chanting along to a good song to do that. Secondly there is a good degree of nostalgia attached to this song. I was 12 when this song was in the charts and so it reminds me of being young and carefree. So there is another level of happiness attached to it.

To me, this is the way that music works in my life. No matter how stressful my day has been, I know that for at least that time when I am cooking and I am listening to the I-Pod, I know that will be a guaranteed time of happiness. Even though, this being my record collection, there is a huge number of miserable bastards on there – Nick Cave, Leonard Cohen, Bob Dylan, Morrissey to name but a few, music always lifts the spirits.

Why is it so hard to pick a favourite?

I was recently asked about my favourite book. I don’t know why but this question always makes me feel a little uncomfortable. Part of me really believes that it is unfair to pick a favourite – as if the books were going to be offended when they weren’t picked. But it isn’t only that. It depends on the questioner. For example, if a pupil asks should I say something they are likely to have heard of or stick with what has become my stock answer, The Master and Margarita by Mikhail Bulgakov. If I say that, do people think that I’m just trying to one-up them by picking something not particularly well-known and Russian.

When I say this has become my stock answer, I do not mean that I do not love this book. I do. And I would recommend it to anyone. I have read it a number of times but the last time was at least ten years ago. Has there really been nothing in the last ten years of reading to knock it off the top spot?

In fact, I haven’t really thought about this at all. Most of the things I would say are my favourite things are from a long time ago, when I suppose we were more likely to be sitting in the pub and debating the relative merits of It’s a Wonderful Life (my favourite film) and Casablanca (My husband’s favourite). More likely that someone would say top ten albums from Manchester or whatever. (Obviously The Stone Roses debut would come top of that list and there would be no Oasis.)

As a result I have a top ten novels list which is as follows:

  1. The Master and Margarita – Mikhail Bulkagov.
  2. Cat’s Eye – Margaret Atwood.
  3. The History of the World in 10 and a half Chapters – Julian Barnes.
  4. Trainspotting – Irvine Welsh.
  5. Nights at the Circus – Angela Carter.
  6. Dancer from the Dance – Andrew Holleran.
  7. A Disaffection – James Kelman.
  8. Strange Meeting – Susan Hill.
  9. The Catcher in the Rye – J D Salinger.
  10. The Life of Pi – Yann Martell.

All of these novels I have read more than once and some I have studied or taught. I can think of a number of books that I could place on this list that I have read more recently (The City and the Pillar – Gore Vidal, The Virgin Suicides – Jeffrey Eugenides, The Book Thief – Marcus Zusak, for example). Putting aside the issue of what would come off the list, if these books were added could I be sure they would stand the test of time? I must admit I don’t tend to re-read books as often as I used to but there is little more annoying then returning to a book or film that you really enjoyed at the time to discover it isn’t how you remember it. (Recently, Pretty in Pink played at our local cinema – one of my favourite films when I was a teenager. I think I made the right decision in not going to see it although I was tempted. I would hate to be disappointed in it. It would be like losing an old friend.) Of course, I am over thinking it and perhaps having a favourite book really isn’t that important. Still, I know I make judgements based on these things. And if it does come up in the pub or the classroom, I want to have the answer ready.

The other thing that I notice now, is the lack of genre fiction. No detective fiction. No science fiction. No fantasy. Although plenty of magic realism. Part of this is due to reading series of books. Which Discworld novel would you pick out of what is a thoroughly excellent series? Which Rebus novel? Which from Douglas Adams? Or George R. R. Martin. But it is also true that I read detective fiction and fantasy particularly as a break from literary fiction. It wasn’t intentional to not include them and perhaps it was unconscious snobbery that caused me to not include any.

So has this got me any nearer to answering the question? Not really. I tend to hedge my bets. Maybe give the top three books. Ponder briefly what impression I’ve just given of myself. Hope it is vaguely similar to the impression that I hoped to give.

A gender free environment

Now that I am getting that bit older, quite a few of my friends now have children. Whenever I have to buy presents for the girls, I have my customary moan about how rubbish toys are for girls, compared to those for boys. (Remember if you will that I was always a tomboy. I never played with dolls. I always wanted a gun and a cowboy hat so maybe I’m an extreme judge.) It is not just my personal dislike of pink and cute dolls though, it is the implications of these toys. Boys get to discover science, other worlds, girls get to wait for their prince to come. They get to cook and iron. It all seems a little unfair.

I have now finished reading Delusions of Gender by Cordelia Fine and the final chapters looked at the effect the environment that children grow up in has on them. It also suggested how quickly children learn what is perceived as right and wrong for each gender. And how subtle their senses are. All very disturbing.

Most of my friends thought that they would try to bring their children up in a gender free environment. And they all made some concessions to this. No pink, perhaps. Neutral toys. Similarly, when I bought presents, I made sure to buy science or practical toys for the girls, for example. It wasn’t surprising that many of our efforts resolved around toys and clothes. After all, they are the most obvious signifiers of gender around. Pretty simple stuff, I suppose. And then when their little girls decided they wanted pink anyway (interestingly this does seem to apply more to girls than boys) parents started to question the social basis of gender and look towards genetics and biology.

And I was tempted to agree. Now, after reading Delusions of Gender, I realise exactly how small our efforts were. Fine writes of one family who changed all of the pictures in their childrens picture books so that they were of the opposite gender. That certainly made our efforts seem quite small by comparison.

One parent told a story of buying her daughter tools but seeing her look after them, wrap them in blankets, as if they were dolls. This was taken as biological instinct but Fine asked the question of who was the primary caretaker, who put the child to bed? Could it be that her daughter had simply learned the clues as to what she should do with her toys from what her mother did? Interestingly, Fine’s own sons played like this with their trucks and their father was the primary caregiver.

Children see gender everywhere. Fine talks of the number of pre-school books that still have gendered images, women in aprons and as primary caretakers, for example. And then there is the influence of other children. Children want to fit in with their peers. Children are more likely to make gendered toy choices in the presence of their peers then at home. Finally, there are other families. Even if your family has a stay at home father, your child will very quickly understand that this is unusual.

So we shouldn’t be so quick to assume that biology is the only thing so all encompassing as to be able to override our attempts at non gendered environments. After finishing this book two things were clear to me. One, our attempts at gender neutrality were too small to even matter, two, social factors were easily as large and all-consuming as biological ones. If, in the future, I have a family of my own, I now realise that I would have to go a lot further than a no-pink household in order to create a gender neutral environment.

Cinematic Wish Fulfilment – Django Unchained

At the end of last week, I went to see Django Unchained and I have to say that I  loved it. Well, I love Tarantino, the extreme violence, the superb dialogue and the non-linear chronological structures all appeal. So much so that I was quite excited to go and I was not disappointed.

As with all good westerns, retribution was the main theme of Django Unchained. And retribution of a slave against his masters, was a revenge that the viewer could really get behind. Particularly, I thought, at the end when the toadying slave played by Samuel L Jackson got his comeuppance. That was a particularly satisfying moment.

Also, as with all westerns, even the good guys were really bad guys. Django himself has to go through hell to get his freedom and along the way commit acts of atrocious violence. King Schultz, whilst nominally on the side of good, and who helps Django with his scheme, is a bounty hunter who is willing to shoot a man in front of his son if it means he gets his money. This version of history shows us that no one escaped the depravity of slavery – whether it warped the mind of the slave owners or destroyed the slaves, both physically and mentally, it’s brutality was all encompassing. In this sense, the level of violence seemed apt to show the horror of such a system

Tarantino has been criticised for taking on the subject of slavery. Spike Lee, for example, has suggested that he finds the film – or rather the idea of the film, as he doesn’t feel obliged to see it before he passes judgement on it – offensive. Lee makes a number of assumptions in doing this, one of which

the-help

seems to be that the only people who are allowed to write about slavery are its victims. There is no doubting that this is a white man’s story about racism but that does not immediately mean that it will be racist. Of course, Tarantino is irreverent. Of course, the violence tends  towards the cartoonish. Perhaps these things do not fit with Lee’s views of what a film about slavery should be about but for me it was far less offensive than a film like The Help which was packed with racial stereotypes. Nevermind the idea of the charismatic white woman who saves the day. (see the following link for more re-created movie posters at ww.theshiznit.com.)

Finally, the main reason I like this film is the same reason that I like Inglourious Basterds. Tarantino seems  to be using his films as a sort of cinematic wish fulfilment, a cinematic version of the idea of if you had a time machine, what would you change. At the end of Inglourious Basterds, Hitler is absolutely obliterated. The explosion at the end of Django Unchained performs a similar function on history. It blows up the house and all in it and as Django and Broomhilda ride away from it, it is the very idea of slavery that is blown sky high. All the horrors of the system, Jackson’s house slave, the man who nearly cut off Django’s gentals, all of Candie’s warped acolytes, they all go up in flames. Apart from Django and Broomhilda, only two seemingly innocent female slaves are allowed to escape. The final explosion is cathartic, releasing Django from his past and allowing him to finally, actually be free.

The joy of teaching Literature to teenagers

It is always entertaining trying to teach novels to 15/16 year olds whose attention span can just about manage a go on the x-box or to watch a video on Youtube before getting bored. A book is not very exciting in and off itself and it takes far too much concentration (from their point of view) to make it come alive. The first thing, on studying a new book, is always cries of ‘When will we be watching the film.’ (I once made the mistake of choosing Catcher in the Rye for my GCSE text for which there is no film and during which the kids sulked for the entire term. I was the meanest teacher in the world.)

Previously, I have taught Of Mice and Men and there is always some excitement at the first time that George calls Lennie a bastard. Especially if I am reading. It is funny how appalled pupils are at this swearing considering the fact that you hear them yelling fuck and cunt at almost random intervals when you make your way down the corridor. it’s hard to know which they find worse – that swearing is written down in a book or the fact that I would read it out as if it was perfectly normal. In fact, I always read it with a suitable amount of anger, which only adds to their astonishment.

This year, we are studying Lord of the Flies and there was a similar bit of joy to be had when Jack says ‘Bollocks to the rules.’ I wasn’t reading and the poor kid who was nearly died a death at having to say such a thing. Especially when I made him read it again, ‘with more feeling.’

Lord of the Flies has brought up a problem to do with language change. The use of the words ‘gay’ and ‘queer’ in this novel is very confusing for them. Especially as Simon is called both gay and queer in the same chapter. I could see that my explanations of what these words could also mean – happy or bright and odd or strange – were not cutting it. Regardless of what I have said to them, I would wager that at least one of them will write that in the exam that Simon was homosexual.

They are at least, starting to appreciate the storyline and I have really enjoyed reading it again. It still resonates, I think although I’m sure we all believe that we are so cultured now. You only have to watch some people in a crowd – say at the riots a couple of years ago – to know that civilisation is a very thin sheen indeed.

From the page to the screen

When I first read The Life of Pi and the narrator suggested this book will make you believe in God, I remember thinking bring it on. I was determined that there was nothing that could make me believe in something I knew was a myth. Of course, like anyone who has read this book, by the end, I believed. The story of a boy and a tiger, lost at sea is one that is worth believing. It quickly became one of my favourite books.
So it was with some trepidation that I awaited the film version. Even when I realised that Ang Lee was at the helm, I couldn’t see how justice could possibly be done to this fabulous novel. How could it be possible that the magical nature of this book could be captured on film? After all, the nature of most adaptations of great books make less good films. Especially a book that is so based in faith and magic. That so depends on the suspension of disbelief.
On the journey to the cinema, my husband and I entertain ourselves by trying to think of an adaptation of a novel that is better than the novel itself. We could not.  Don’t get me wrong I’m not suggesting that there are not film versions of novels that are excellent. The Boy in the Striped Pyjamas, Shawshank Redemption, LA confidential, American psycho, Trainspotting to name but a few. But the book is always better. We did debate Slumdog Millionnaire, Schindler’s List and One Flew Over the Cuckoo’s Nest as being better but in each case we had watched before readingand decided that that made a difference.
As to the film, it was magical. It is the first film I’ve seen where I really enjoyed the use of 3D. it enhanced the story and really added to the feeling of being a part of it. There can be no denying that this film is a thing of beauty. Whales, dolphins, meercats, flying fish, not to mention that incredible tiger, all look amazing. The acting is good and the story follows the book fairly accurately. It is hard to fault really. And of course, you know that the story of Richard Parker is the one you want to believe even if it is not the one that is true.
But there is no doubt that the book is better. For a start, in a story about belief, making the story in your head, is much more an expression of faith than watching it. Ang Lee’s version of the story is beautiful and glorious but it is not my version of the story. Belief is a very personal thing. There is no bettering your own imagination, no matter what clever CGI you have at your disposal. In some ways the spectacle of the film detracts from the emotion of it and the ending seems a bit like a damp squib, compared to the emotions I felt when I finished reading the book. This may be due to the difference between watching and reading. Reading is an act of faith. Watching requires you to merely do that. Watch and process. There is no sense in questioning what you can see before your eyes. We didn’t need to believe. We had just seen it. If you could see God walk down the street every day then there would be no need for belief because he would exist. This is the difference between watching and reading The Life of Pi.

This song, picture, book could change your life

It may seem naive but I really do believe that art – and that covers music, literature, film, TV  paintings and sculpture – can change your life. Although perhaps I should explain that I really don’t mean that you see a single film (or whatever) and then you are a completely different person. I don’t believe that that really happens or if it does it is part of a process of change that has already started even if only on a subconscious level.

However, I do think that you are a product of whatever you read, listen to, watch. These are the things that help to shape how we think about the world. The things you love and the things you hate help to create your personality as much as the things that you do and say. They send a message to other people about what you think and about who you are. I really do believe that it is that important.

That’s why I find popular culture a little depressing at the moment. Reality TV. Simon Cowell’s choice of Christmas number one. It’s all so thoroughly empty. What sort of people will the current generation be, with their heads filled up with Made in Chelsea and their ears full of the aural equivalent of candyfloss. What will their world be like if this is all they expect from culture, all they think that people can achieve? A miserable world indeed.

I can still remember the first time I felt truly amazed by a piece of literature. At GCSe, I studied A Taste of Honey by Shelagh Delaney. I was blown away. I was an avid reader even then but I had never read anything that felt quite so relevant to me. The characters seemed like people you might meet. A pregnant teenager, her black boyfriend, her (probably but never directly acknowledged) gay best friend, her scarily uncaring mother. It was much more like reality than anything else I’d read or been taught.

Don’t get me wrong, I love Macbeth and Of Mice and Men which we also studied. But well written as they are, they didn’t feel relevant in the same sort of way. I have no doubt that studying A Taste of Honey started to shape my opinions about important things such as racism, sexuality and freedom. A first step on a lifelong journey.

It is also true that the current educational system is failing students in many ways. For a start, there is no imperative to even study a whole text. As long as you read the scenes that are to be tested in the exam and watch the film, there is no need to read the whole thing apparently. Except for the obvious one of enriching lives by reading a piece of literature which presumably wouldn’t have been included in the syllabus if not considered worthwhile in its entirety.

A lot of young people feel disconnected from the literature that they are made to read at school and this is perhaps understandable when often the most modern thing they read is Of Mice and Men. Perhaps its about time they were encouraged to think that literature is about more than murdered kings and war. If they read something about their lives perhaps they would understand why reading is so important.

I have changed a lot since I was that sixteen year old reading A Taste of Honey for the first time, obviously I suppose. We all grow up, get jobs, study, have relationships and so on. As important as all that is, I would be a different person sat here today if I hadn’t read A Taste of Honey and all of the great books, films, art and music that came after that. I’m grateful to them all for changing my life.

Music to get excited about…

It seems that nostalgia is everywhere today. Maybe I’m just noticing it because it fits in with my mood at the moment. Just the other night on the Review Show one of the panelists was musing about how music didn’t seem as important these days. People didn’t seem to take it seriously. I can certainly see how this might appear to be the case with the rise of such nonsense as The X Factor, The Voice and Britain’s Got Talent which makes it seem like no one is serious about proper music anymore. Never mind the bad influence of YouTube. Or the number of ‘alternative’ songs that appear on adverts these days. Having just listened to the top 40 – there is no depth to the lows I’m prepared to plummet in the name of this blog, readers – it is hard to escape the idea that there is very little variety at the moment. Some of the voices are quite interesting but the ubiquitous banging electronic backing track makes for little diversity. Even the two bands that favour guitars – Fun and Mumford and Sons – are a little dull and pedestrian. Everything just seems a little safe. It is certainly hard to imagine anyone getting excited by these tunes the way I was excited by Smells Like Teen Spirit by Nirvana or You Love Us by the Manic Street Preachers. Maybe the presenter was right.

However, it’s not as if rubbish music is a new phenomenon. Even though I love eighties music, I know there was also a lot of rubbish. This can be seen quite clearly when you look at the chart from this week in 1982 when Shakin Stevens and Bucks Fizz were no.1 and no.2 respectively. Not good. However, what is apparent is the variety. It might not all be amazing but it certainly didn’t all sound the same. For example, there was electronic in the shape of OMD, Soft Cell Human League and Japan; Metal in the form of AC/DC, Meatloaf and Foreigner; Pop music such as Altered Images, Adam and the Ants and Madness. Not to mention alternative classic, Drowning in Berlin by The Mobiles which was loitering just outside the top 10. To me, it seems unlikely that modern teenagers will be looking back on the current charts in 30 years time with such fondness as I look back on this one. Although maybe they will, as nostalgia is as much to do with memories and timing as it has to do with the actual quality of the music. Remembering being young will probably cloud their judgement just as it clouds mine. But still, what would be the stand out classics from those tunes that all seem largely the same.

Don’t get me wrong, I’m not trying to suggest that good music does not exist. It certainly does. You only have to listen to the new albums by The Decemberists or Clap Your Hands Say Yeah – to name but two – to know that this is the case. Certainly in Sheffield – and most cities, I would imagine – there is a thriving music scene. Bands working hard, creating a fan base, honing their skills; a sharp contrast to the quick fix and the quicker disappearance of the X Factor generation. I certainly know which I’d rather listen to.

So is the gap between mainstream and alternative bigger than it used to be. It seems that in order to be in the charts, you have to be safe and similar. You need to guarantee sales. Hence the lack of excitement. I’m sure that people are still serious about music and there is still music to be serious about. Just not the nonsense that is in the charts.

A nostalgic longing for the past.

Earlier in the week, I watched a preview screening of Josh Radnor’s new film Liberal Arts. It a film about growing up and is filled with a nostalgic longing for the past, for all those things that everybody claims are lost or dying – reading, letter writing, burning a CD and it left me with a longing for my university days when there was such pleasure in receiving a long letter, hand written and heartfelt, from a friend in a different part of the country. None of us – that is me and my school friends  – communicates like that any more even though we are still scattered all over the place. We don’t even e-mail any more, just message on Facebook or texts. Of course, it is a sign of how busy we all are. There are easier options now then having to find the time to write a letter but part of me still wishes that we had to do it, that there was no other option but to sit down and ponder what news we had to tell. Of course, I could still do it but it would be a bit pointless. Everyone knows my news anyway – facebook has seen to that – and I know their response to it as well. All in far less time then it would take for a letter to arrive and be read. This is progress, apparently.

Early in the film, Radnor’s character, Jesse, is walking along the street reading a book and I was struck   immediately by how this scene would never work with someone walking along with a Kindle.For a start, you would not be able to see what was being read. At least part of the point of reading in public has to do with showing off what you are reading. Not only could you not bear to put this book down but you are showcasing your taste and, possibly, your intellectualism. I know that it irks me that when I read my kindle on the train, no one can tell what I am reading. I always try to see what other people are reading as well. But also, it wouldn’t suggest the same sort of romantic idealism if Jesse was carrying a grey plastic oblong rather than a book with a beautiful cover.

There is a sense of nostalgia at the moment for the loss of something that hasn’t disappeared yet but it seems inevitable that it will. I have seen several articles in the last few weeks about the death of books once everyone has a kindle or the equivalent. And it does seem inevitable. I was never going to have an I-Pod, a kindle or join Facebook and Twitter. Now I have both those things, have joined both those things. I always succumb. Eventually, I guess, books will be like the rows and rows of LP records in my spare bedroom – only present in the houses of people over a certain age.

In some ways, it is strange that so much fuss is being made about the way in which something is read or listened to. Does it matter whether you’re reading from a electronic screen or from a paper page as long as you are reading? Obviously not. I know that some of the sixth formers I taught found it much easier to read from a kindle than from a book. And obviously that pleased me. But this is not a cold logical argument. It is emotional, nostalgic and romantic. It is obviously romantic to take the time to talk about books, to search in second hand book stores for hard to come by editions. It is more romantic to write long handwritten letters rather than a one sentence update on Facebook which someone will then like. And it is far more romantic to hand over a CD you have burned with a handwritten card than to send someone a playlist on Spotify. (Although arguably not as romantic as making a mix tape.) Similarly, when it is my birthday I will still be asking for physical books and CDs. The thought of some sort of electrical exchange seems cold and somehow not real.

Liberal Arts is like a love letter to all these things. All the things that are more time consuming, more difficult but ultimately more meaningful. Reading brings people together in this film and it teaches them how to live their lives. You have to hope that this will still be the case when everyone is reading books from a oblong of grey plastic