Genre: Biography, History

Narrative Style: Third person

Published: 2019

Rating 5/5

Format: Hardback

Synopsis: Barnes’ biography of Samuel Pozzi begins with a trip to London by three men – a count, a prince and a commoner – the commoner being Pozzi – and expands to take in the Parisian Belle Epoque. Pozzi is the man in the red coat – one of John Singer Sargent’s greatest portraits. Whilst describing the life of Pozzi, Barnes discusses the ideas of the era and describes some of its liveliest characters including Oscar Wilde and Sarah Bernhardt.

Time on shelf: Not sure why this one lingered for so long. I’m a big fan of Julian Barnes and usually read his books quite quickly after purchase.

Reading challenges: TBR Challenge hosted by Adam at Roof Beam Reader.

This was a joy from start to finish. Barnes has an easy style – like having a fireside chat with a friendly history professor. He describes the life of Samuel Pozzi in the main, but also the other two men who arrive in London with him – Count Robert de Montesquiou and Prince Edmund De Polignac. This is a jumping off point for a wider discussion of the times which takes in duelling, dandys, the Dreyfus affair and the trial of Oscar Wilde. The supporting cast of characters includes Wilde, Sarah Bernhardt, Jean Lorrain and Joris-Karl Huysmans, all of whom are colourful to have been the subjects of this book.

Pozzi is an interesting character. He is an excellent surgeon who transformed working practises and made several operations safer. He was a gynocologist of some renown although he was also known for having affairs with his patients. He was married but had many affairs. He became rich and moved in the same circles as princes and counts. He treated Sarah Bernhardt who called him Dr God.

As A History of the World in 10 and a 1/2 Chapters takes the idea of the novel to the very limits, this explores the limitations of historical biographies. Often, Barnes explains, we cannot know exactly what happened. We are relying on others telling the truth and not being vindictive. We have to have a wider understanding of the age. Barnes writes this almost like a novel, wandering along the timeline and back again. There are recurring motifs such as that of bullets and duelling. At one point, Barnes says if this was a novel we would know this information because the author would make it so but as it is, we cannot know.

Overall, this was enjoyable and informative. Barnes has a clear love for his subject. (He is a renowned Francophile.) He has done a lot of research and the era and characters come alive for the reader. Thoroughly recommended.