Genre: Music, Masculinity
Narrative Style: Third person from various perspectives
Synopsis: Keva McCluskey, lead singer with the unknown Liverpool band, The Grams, wants nothing more than the fame and success he feels are his due. When he meets Guy de Burnet, of newly formed Rehab records, he realises that his dreams may be about to come true. Will fellow band mates and manager, Wheezer, be a help or a hindrance on the way to the top.
Reading Challenges: TBR Challenge 2019
Time on Shelf: My husband bought this at the time. He read it and really enjoyed it. I didn’t get round to it. So twenty years after he recommended it, I finally read it. No wonder he doesn’t often recommend a book for me to read.
I really wasn’t sure what to rate this book. There were some things I really enjoyed about it but also some things I really didn’t. However, it is generally quite well written and I did feel compelled to read on so I guess the good points won out.
What I really liked about this was the way it reminded me of the nineties and of the music scene then – a time when I was very enthusiastic about music and a time before The X factor and all those talent shows. There is a genuine love of music behind this novel. It also seems like I would imagine it is like when a band first takes off with all the madness of touring and recording. Sampson has long been involved in the music industry – as a journalist and a manager – so the novel has an air of authenticity.
However, this is also a very laddish book. And in that it is also very much of its time. At times it felt like an extended edition of Nuts. It is full of lewd sexual encounters. In fact, most of the women in this novel are little more than holes to be filled by the band. I’m not a prude and some of these encounters were amusing especially as guitarist, James Love gets more and more twisted in his needs. It just would have been nice for some of these women to be given a personality not just body parts.
There are some similarities between this novel and Irvine Welsh’s Trainspotting. It is obviously aiming for a similar grittiness and honesty. And it is written in a similar style with little in the way of over-arching plot – more a series of vignettes about the band and the various hangers on. However, it lacks the emotional depth of Welsh’s novel. The characters are stereotypical and do not develop. I felt little for them and didn’t really care whether the band would survive or not. James Love is similar to Welsh’s Sick Boy but there is no hint of anything underneath his womanising so it all becomes dull and tawdry.
Still, it was amusing and it did make me nostalgic so I’m not sorry to have read it. It is quite a long read at 500 pages. Maybe if it had been shorter, I wouldn’t have got so impatient towards the end.